Looks like Good Will Hunting made an appearance on TBS the other day and brought America’s productivity to a standstill. Here’s another of our occasional round-ups of what people on Twitter have been saying about Good Will Hunting.
just watched "good will hunting." extremely disappointed as it gave me no tips on how to find good stuff at thrift shops
On 3:58 PM Apr 28th 2010from web
I find that wakin + bakin before math class makes me more of a genius. I'm like fucking good will hunting in here
On 2:03 PM Apr 29th 2010from UberTwitter
Sometimes I like to re-enact the "It's not your fault" scene from Good Will Hunting with my dog Flossie. She always gets to be Matt Damon.
On 12:47 PM Apr 30th 2010from TweetDeck
I'm supposed to leave at 11. Good Will Hunting just came on at 10:45. Obviously I'm not going anywhere for a few hours...
On 2:56 PM May 1st 2010from TweetDeck
DAMMIT, WHY IS GOOD WILL HUNTING ON? I MEANT TO GET IN THE SHOWER HALF AN HOUR AGO. OKAY. COMMERCIAL. RUN WHILE I CAN!!
On 4:25 PM May 1st 2010from txt
Shut up we are. Fooking call me if you wanna hang! RT @Ian_Dal: I wish my friends were more like Matt Damon's friends in Good Will Hunting
On 4:39 PM May 1st 2010from UberTwitter
Is today Matt Damon's birthday?? TNT is showing Bagger Vance, USA is showing Bourne Identity, and TBS is showing Good Will Hunting!
On 5:18 PM May 1st 2010from TweetDeck
Did you know: Bourne Identity = sequel to Good Will Hunting. When Will leaves to "go see about a girl" he means "become a trained killer."
On 8:55 PM May 1st 2010from web
This is very true RT @thermhere: "My favorite part of Good Will Hunting is that Ben Affleck only wears track suits." - J. Clayton Arnold
On 1:46 AM May 2nd 2010from Echofon
In the summer of 2007 I went on a European adventure. Late one evening, strolling the streets of Vienna, Austria, I encountered the above scene. It was a grungy video store with a Good Will Hunting poster in the darkened window. How odd it felt to encounter this very local-feeling film as a cheesy, sun-bleached cardboard display, four-thousand miles away from Boston.
There was also a slapdash tagline added to the poster — “Hol Dir Deinen Denk-Zettel an der Theke!” (Perhaps they simply swap in a language-appropriate tagline wherever in the world the display finds itself?) Here in Austria the tagline was German — and translates to “Get Your Lesson in the Bar!”
Now, this isn’t an entirely accurate summing-up of the film’s themes. American marketers used “Some people can never believe in themselves, until someone believes in them” and “Wildly charismatic. Impossibly brilliant. Totally rebellious. For the first 20 years of his life, Will Hunting has called the shots. Now he’s about to meet his match.”
“Hol Dir Deinen Denk-Zettel an der Theke” suggests a story of actualization through growing up on the street (and, well, yeah — in the bar.) Sure, the bar part does describe Will and his crew, but Will Hunting would be content to sit around the bar not really changing at all. He doesn’t really “learn his lesson” until confronted with his own potential, via Sean, Lambeau, and Skylar — none of whom are operating within his comfort zone.
Part of the legacy of Good Will Hunting is that a vast number of auditions and acting exercises have used its script as source material. The web is full of Good Will Hunting scenes recreated, mostlywithfairlyappallingresults. If you have any doubt that Damon and Affleck (and even Williams) excel in this film, spending a few minutes on YouTube with amateur Will Huntings may change your mind.
The following scenes make some interesting choices interpreting a moment between Will and Skylar. These performances confirm that it may be impossible to deliver the line “on behalf of my wiener” with any actorly dignity. I’m not sure how Damon did it.
Until last weekend the only time I had been to the South Boston St. Patrick’s Day Parade was in 2005 with a friend from high school, a friend of my friend, and a my friend’s friend’s 8 to 12 teenage English-as-a-second-language students. I really only remember three things.
It was crowded.
Some guy was selling a green long-sleeved t-shirt that said “What happens in Southie stays in Southie” and I’ve always regretted not getting one.
There were Storm Troopers marching in the parade, and they were wearing leprechaun hats.
This, Boston’s official St. Patrick’s Day parade, has been held in Southie since 1901 — and unofficially since 1737. It is such a distinct part of South Boston history and tradition that Team Affleck/Damon intended their Good Will Hunting would open with it. The opening credits were to take place over scenes from the St. Paddy’s marching and motorcading, and the subsequent opening scene would take place at the crowded Southie bar as Chuckie regales the boys with a story.
Gus Van Sant actually shot and cut together a sequence, which is available for viewing as a deleted scene on the Good Will Hunting DVD. They shot it at the real parade, months before the film began principle photography. This is notable for a couple reasons: shooting at a live event with a small crew, the footage actually looks like a Gus Van Sant movie. You know — “gritty,” “intimate,” etc. Second, according to Van Sant on the DVD commentary, since the hairstyles of the characters hadn’t yet been determined, they are all wearing ridiculous hats as they goof around at curbside. This combined with the actors’ odd clothing in these scenes points to how much those decisions about costume and makeup (and maintaining their consistency) matters in creating a set of authentic characters.
As someone who blogs regularly about Good Will Hunting, I was determined to make it to this year’s parade, rain or shine.
And rain it did.
Still, I’d say it was worth it. I shook hands with the staff of multiple candidates for Auditor, received some green bead necklaces and 2010 Census chapstick, and saw unicycling floutists, an old-timey canon, and the coldest, wettest bagpipers I’ll probably ever see.
As far as the subsequent scene of the boys in the bar, it’s not the most eloquent introduction to the characters and themes of the film. (Otherwise, the film’s strongest moments lie in the relationships amongst Will and his friends. Compare Will’s climactic scenes with Sean, his therapist, and with Chuckie, his best friend. Both communicate to Will that he must let go of his fear, but the “it’s not your fault” sequence with Robin Williams is as forced and melodramatic as the later construction site scene with Will and Chuckie is frank and stirring — “you’re sitting on a winning lottery ticket.”)
Besides making it completely unclear who the main character of the film is, the St. Paddy’s Day bar scene is territory essentially retread by Chuckie, et al, when Will introduces them to Skylar at the bar later in the film.
So, let’s be thankful Gus Van Sant served up a kaleidoscopic meditation on Will’s solitude, stuck inside his brain, instead of a story of a cat getting beaten to death, in those early moments of Good Will Hunting.
FADE IN:
EXT. SOUTH BOSTON ST. PATRICK’S DAY PARADE — DAY
CUT TO:
INT. L STREET BAR & GRILLE, SOUTH BOSTON — EVENING
The bar is dirty, more than a little run down. If there is ever a cook on duty, he’s not here now. As we pan across several empty tables, we can almost smell the odor of last nights beer and crushed pretzels on the floor.
CHUCKIE
Oh my God, I got the most fucked up
thing I been meanin’ to tell you.
As the camera rises, we find FOUR YOUNG MEN seated around a table near the back of the bar.
ALL
Oh Jesus. Here we go.
The guy holding court is CHUCKIE SULLIVAN, 20, and the largest of the bunch. He is loud, boisterous, a born entertainer. Next to him is WILL HUNTING, 20, handsome and confident, a softspoken leader. On Will’s right sits BILLY MCBRIDE, 22, heavy, quiet, someone you definitely wouldn’t want to tangle with.
Finally there is MORGAN O’MALLY, 19, smaller than the other guys. Wiry and anxious, Morgan listens to Chuckie’s horror stories with eager disgust.
All four boys speak with thick Boston accents. This is a rough, working class Irish neighborhood and these boys are its product.
CHUCKIE
You guys know my cousin Mikey
Sullivan?
ALL
Yeah.
CHUCKIE
Well you know how he loves animals
right? Anyway, last week he’s drivin’
home…
(laughs)
ALL
What? Come on!
CHUCKIE
(trying not to laugh)
I’m sorry, ’cause you know Mikey,
the fuckin guy loves animals, and
this is the last person you’d want
this to happen to.
WILL
Chuckie, what the fuck happened?
CHUCKIE
Okay. He’s driving along and this
fuckin’ cat jumps in front of his
car, and so he hits this cat–
Chuckie is really laughing now.
MORGAN
–That isn’t funny–
CHUCKIE
–and he’s like “shit! Motherfucker!”
And he looks in his rearview and
sees this cat — I’m sorry–
BILLY
Fuckin’ Chuckie!
CHUCKIE
So he sees this cat tryin to make it
across the street and it’s not lookin’
so good.
WILL
It’s walkin’ pretty slow at this
point.
MORGAN
You guys are fuckin’ sick.
CHUCKIE
So Mikey’s like “Fuck, I gotta put
this thing out of its misery”–So he
gets a hammer–
WILL/MORGAN/BILLY
OH!
CHUCKIE
out of his tool box, and starts
chasin’ the cat and starts whackin’
it with the hammer. You know, tryin’
to put the thing out of its misery.
MORGAN
Jesus.
CHUCKIE
And all the time he’s apologizin’ to
the cat, goin’ “I’m sorry.” BANG,
“I’m sorry.” BANG!
BILLY
Like it can understand.
CHUCKIE
And this Samoan guy comes runnin’
out of his house and he’s like “What
the fuck are you doing to my cat?!”
Mikey’s like “I’m sorry” –BANG–” I
hit your cat with my truck, and I’m
just trying to put it out of it’s
misery” — BANG! And the cat dies.
So Mikey’s like “Why don’t you come
look at the front of the truck.”
‘Cause the other guy’s all fuckin
flipped out about–
WILL
Watching his cat get brained.
Morgan gives Will a look, but Will only smiles.
CHUCKIE
Yeah, so he’s like “Check the front
of my truck, I can prove I hit it
’cause there’s probably some blood
or something”–
WILL
–or a tail–
MORGAN
WILL!
CHUCKIE
And so they go around to the front
of his truck… and there’s another
cat on the grille.
WILL/MORGAN/BILLY
No! Ugh!
CHUCKIE
Is that unbelievable? He brained an
innocent cat!
BLACKOUT:
The opening credits roll over a series of shots of the city and the real people who live and work there, going about their daily lives.
